michael-dean-k/

On Monday 6/15, I'm hosting a workshop to kick off a reading group for classic essays: RSVP here.

Topic

experimental

2 pieces

3D essays

· 200 words

What would a 3D essay look or feel like? The "video essay" is a format, but that's really more like a performed/spoken essay with picture and video over it. I'm curious what it could be if we keep reading prose as the core mode.

Here's a prototype where scrolling brings you in instead of down. Instead of feeling like you're just reading a wall of text, it feels like you're moving forward into a series of spaces.

This breaks the essay into paragraph blocks, where you only see one at a time, which works something like focus mode (and I suppose there could be a way where you could preview the paragraphs behind and ahead). There's opportunity for each paragraph to have unique color, imagery, a distinct vibe to match the content. Additionally, each paragraph can have portals to jet out from this essay into different ones, making it something like a choose your own adventure.

Is anything gained from this? Or is it just a novelty? Best case, it's a new medium to bring prose into the short-form video era; it's much less intimidating to be presented with a single screen of text than a whole wall of it.

Experimental

· 190 words

I like the word experimental because it fuses two halves of a process we don't usually link. What we typically mean is divergence, deviance, tinkering, norm-breaking. Weird stuff. Think avant-garde John Cage soundscapes where he makes music with only kitchen appliances. But also, the word points directly to the scientific process: to run an experiment means to set boundaries, gather insights, and test a hypothesis. Either mode alone falls short. Endless mutations burn you out, and rigid systems can't take you anywhere interesting.

Many of the original experimental artists were scientific. Kandinsky didn't just make abstract shapes, he developed a systematic theory on how colors/geometry provoked specific feelings, and then at the Bauhaus he used questionnaires to test which of his theories were true. I don't know exactly when this happened, but as weird works became mainstream, the word shifted from a process to a genre; the way it was made mattered less than the fact that it was unusual.

Experimental drifted into a contronym, a single word that contains opposite meanings. The power in the word comes when you re-unite both halves, entering strange territory with an analytical eye.

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